Every Tuesday, I take MUNI to the Tenderloin and climb three flights of stairs to a small room with a light table, boxes of slides, archival pens, loupes, numerical stamps, and plastic sleeves. This is my volunteer archiving gig while I’m unemployed. I join the other archivists, grab a stack of negatives, take off the rubber band, spray canned air on the negatives, and transfer the information from the enclosed roll marker to the plastic sleeves. I then order the slides by frame number, rewriting the number on the slide holder so it’s easier to see. Often the frame numbers are marred by other information stamped on the holder, or simply mis-stamped. Once the sleeve is full, it goes into a binder. Rinse and repeat.
Sometimes, though, there are no frame numbers so it’s a more investigative process. I have to look at the lighting, the background, the camera axis, the state of of the model’s undress, and then reconstruct the sequence.
This is a place where I keep track of things I've seen and done, art reviews and discoveries, processes and messes.